The Red Toque

Tuesday, November 22, 2011

On the Beach

Mixed media on plaster

12"W x 10"H

For the past couple of years I have been experimenting with image transfers onto plaster as the starting point for a piece. Sometimes the transfer is obliterated by the time the work is finished sometimes not. With this particular piece the canoe is all that survived the journey.

There were a number of artistic portage's and at one point I though the whole thing was going to sink. The image is from public domain and I would guess that the photo was taken in the late 1800's."On the Beach" is yet another Neil Young reference in one of my titles. I'm a avid promoter of Canadian culture past and present.This piece recently sold and part of the payment was 200 bars of handmade soap that we're given away at my beloved daughter Kate's wedding.

No comments:

Post a Comment

Feedback and comments are encouraged. If you took the time to check it out why not take the time to say something about it?

THE WORK

Molloy's work focuses on culture through the use of its stereotypes, traits and artifacts.

Jeff employs a wide variety of distinctive techniques, tools, and personal processes that result in truly unique, instantly recognizable work. Jeff is curious. His creativity shifts and twists in response to his materials. Beeswax, tar, pigments, remnants of human civilization – all react differently to the tools and techniques he employs. Carving, painting, sculpting, applying heat and blunt force all contribute to objects that may resemble paintings, yet may just as easily be mechanical and functional in nature.

To Molloy, line is a physical thing, something that is cut and gouged. His surfaces are built up and scraped away. Jeff uses homemade tools to draw, paint, carve and burnish his surfaces of wax and tar until they reflect their own history.

“I've always believed that experimentation, not technical skill, is at the core of creativity. Artists should be explorers, and the world of art should remain a place without rules or boundaries.” Jeff Molloy

In 1995 encouraged by a photograph of Jasper Johns’ famous encaustic work, Flag, Molloy began to experiment with encaustic. He comments, “I recognized in Johns’ piece a number of aspects that have become paramount in my own work. The impact, power and inherent meaning of cultural objects and how they can be used to evoke emotion and memory...I wanted my work to mimic the real thing but, as an art piece, be more interesting than the motif itself.” Molloy achieves this by tapping into these emotions and memories and presenting them as highly articulated works of art. The encaustic works tread the line between painting and sculpture. Where paintings tend to provide context for their subjects, Molloy’s pieces intentionally strip away everything but the object itself.

“The context for the work is the environment in which it is shown. It just makes sense to me that the space should play a role in the perception of the work,”

Tuesday, November 22, 2011

No comments:

Post a Comment

Jeff Molloy - Mixed media painting and assemblage

About Me

Facebook